GIRLS IN SYNTHESIS - DISCOGRAPHY (33 VIDEOS)
Girls In Synthesis
Profile:
Experimental punk / no wave band from London, UK formed in late 2016. Since formation they have released a number of very limited (and collectable) vinyl EP's on Blank Editions, compiled as 'Pre/Post: A Collection 2016-2018' (Louder Than War, 2019). Further releases have seen collaborations with German DIY label X-Mist and their current home, Harbinger Sound. Their debut album is scheduled for release in Spring '20.
Members:
John - Vocals, Bass
Jim - Vocals, Guitar
Nicole - Drums
Non-musician, collective members:
Bea Dewhurst - Photography
Max Walker - Sound/Mixing
Chris Ulyatt/Kieran Gabriel - VideographyLess
Members:
John - Vocals, Bass
Jim - Vocals, Guitar
Nicole - Drums
Non-musician, collective members:
Bea Dewhurst - Photography
Max Walker - Sound/Mixing
Chris Ulyatt/Kieran Gabriel - VideographyLess
Sites:
Members:
Variations:
Viewing All | Girls In Synthesis
Marketplace51 For Sale
Albums | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Now Here's An Echo From Your Future | Harbinger Sound | 2020 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Singles & EPs | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Suburban Hell IN DUB! (4xFile, MP3, EP, 320) | Not On Label (Girls In Synthesis Self-released) | none | 2017 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
The Mound/Disappear (2xFile, MP3, Single, 320) | Not On Label (Girls In Synthesis Self-released) | none | 2017 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Suburban Hell E.P (7", EP, Ltd, Num, W/Lbl) | Blank Editions, Own It Music | BETBC008 | 2017 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
We Might Not Make Tomorrow E.P (7", EP, Ltd, Num, W/Lbl) | Blank Editions, Own It Music | BETBC014 | 2018 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Fan The Flames E.P (7", EP, Ltd, Num, W/Lbl) | Blank Editions, Own It Music | BETBC015 | 2018 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Arterial Movements E.P | X-Mist Records, In A Car | 2019 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Pressure | Own It Music | 2019 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
They're Not Listening/Listening Dub (File, MP3, Single) | Own It Music | OTNITD003 | 2020 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
The Images Agree/Images Dub (File, MP3, Single) | Own It Music | OWNITD002 | 2020 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Compilations | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Pre/Post: A Collection 2016-2018 | Louder Than War | 2018 |
Reviews
Bitter_Dose
June 5, 2018
Formed in late 2016, Girls In Synthesis have quickly forged a fearsome reputation as one of the most exciting and volatile live acts in London. In equal parts frantic, considered, ear-splitting and melodic, the group take their cues from the early DIY punk and post-punk pioneers to keep everything in-house; artwork, videos, performances and recordings are created entirely by the group and their handful of trusted collaborators.
Musically, experimentation sees them transgress the punk bracket into something more original and unique while stage shows present a complete and controlled spectacle, with the group moving from playing on stage to dragging equipment into the audience. Desperately trying to remove the group/audience barrier, they perform bathed in a single stark white beam of light, while songs are interspersed with sampled dialogue taken from government nuclear survival videos and number station recordings.
They take influences from the punishing and militant noise of groups such as Crass, the dark, bass-led sound of Flipper and the sharp edge of sparsely melodic groups like Wire and The Fall. This blueprint is peppered with scores of varied sounds from across the board to create the basis of the groups’ vital sound.
Musically, experimentation sees them transgress the punk bracket into something more original and unique while stage shows present a complete and controlled spectacle, with the group moving from playing on stage to dragging equipment into the audience. Desperately trying to remove the group/audience barrier, they perform bathed in a single stark white beam of light, while songs are interspersed with sampled dialogue taken from government nuclear survival videos and number station recordings.
They take influences from the punishing and militant noise of groups such as Crass, the dark, bass-led sound of Flipper and the sharp edge of sparsely melodic groups like Wire and The Fall. This blueprint is peppered with scores of varied sounds from across the board to create the basis of the groups’ vital sound.
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